Print previewpersonal data approved: 2013. I. 03.
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| Publications |
2011
 manual entry, 2013. I. 03. |
Kurdi Mária: Kultúrák között: Magyar és más közép- és kelet-európai emigránsok a kortárs ír prózában és színpadon, Budapest: Lucidus, pp. 1-168 type of document: Book/Monography number of independent citations: 4 language: Hungarian
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2010
 manual entry, 2013. I. 03. |
Mária Kurdi: Representations of Gender and Female Subjectivity in Contemporary Irish Drama by Women, Lewiston, Queenston, Lampeter: The Edwin Mellen Press. ISBN13: 978-0-7734-1421-1., 249 p. type of document: Book/Monography number of independent citations: 7 language: English
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2010
 manual entry, 2013. I. 03. |
Mária Kurdi: “An Ideal Situation? The Importance of Oscar Wilde's Drama in Hungary.”, Stephano Evangelista (ed): The Reception of Oscar Wilde in Europe. London: Continuum, 2010., pp. 245-255 type of document: Book chapter/Part of Handbook number of independent citations: 8 language: English
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2009
 manual entry, 2013. I. 03. |
Mária Kurdi (ed): Literary and Cultural Relations: Ireland, Hungary, and Central and Eastern Europe, Dublin: Carysfort Press, pp. 1-263 type of document: Book/Monography number of independent citations: 7 language: English
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2009
 manual entry, 2012. III. 03. |
Mária Kurdi: “Women on the Stage in the 1990s: Foregrounding the Body and Performance in Plays by Gina Moxley, Emma Donoghue and Marina Carr.”, In: Irish Literature Since 1990: Diverse Voices. Ed. Scott Brewster and Michael Parker. Manchester: Manchester UP, 2009. ISBN 978 07190 7563 6, pp. 59-78 type of document: Book chapter/Part of Handbook number of independent citations: 5 language: English
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2007
 manual entry, 2011. X. 25. |
Mária Kurdi: “Transplanting the Work of ‘that rooted man’: The Reception of John Millington Synge’s Drama in Hungary.”, Comparative Drama 41.2 ISSN 0010-4078, pp. 219-241 type of document: Journal paper/Study paper number of independent citations: 4 language: English
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2006
 manual entry, 2012. III. 03. |
Mária Kurdi: “The Helen of Inishmaan Pegging Eggs: Gender, Sexuality and Violence.”, Lilian Chambers and Eamonn Jordan (eds.): The Theatre of Martin McDonagh: A World of Savage Stories. Dublin: Carysfort ISBN 1-904505-19-8, pp. 96-115 type of document: Book chapter/Part of Handbook number of independent citations: 14 language: English
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2004
 manual entry, 2012. III. 03. |
Kurdi Mária: Otthonkeresés a színpadon: Beszélgetések ír drámaírókkal, Debrecen: Kossuth Egyetemi Kiadó ISBN 963 472 859 6, 296 p. type of document: Book/Monography number of independent citations: 3 language: Hungarian
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2000
 manual entry, 2013. I. 03. |
Mária Kurdi: Codes and Masks: Aspects of Identity in Contemporary Irish Plays in an Intercultural Context, Frankfurt am Main: Peter Lang Verlag, 160 p. type of document: Book/Monography number of independent citations: 57 language: English
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1999
 manual entry, 2010. IX. 22. |
Kurdi Mária: Nemzeti önszemlélet a mai ír drámában (1960-1990), Budapest: Akadémiai Kiadó ISBN 963 05 7556 6, 228 p. type of document: Book/Monography number of independent citations: 6 language: Hungarian
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| | Cumulative impact factor of the 10 most significant publications: | 0  |
| | Number of independent citations to these publications: | 115  |
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