How to train actors. Theory and practice. Improvisations. Actor in the situations. Characterization. How to build a character.
Composition.
research field in which current research is conducted
arts drama
Publications
2012
manual entry, 2013. II. 25.
Bulgakov: The Royal Comadians, Soulpepper Theatre Toronto type of document: Further/Creation language: English
2012
manual entry, 2013. II. 25.
Spiró György: Príma Környék, Vígszínház - Pesti Színház, rendezés type of document: Further/Creation language: Hungarian
2011
manual entry, 2011. IX. 13.
R. Wagner: Lohengrin, MüPa, rendezés type of document: Further/Creation language: German
2009
manual entry, 2009. III. 18.
Carlo Goldoni: Mirandolina, Repertory Theatre, Milwaukee type of document: Further/Creation language: English
2008
manual entry, 2009. III. 18.
A. P. Csehov: Ványa bácsi, Soulpepper Theatre Company, Toronto type of document: Further/Creation language: English
2007
manual entry, 2009. III. 18.
Anton Pavlovics Csehov: Három nővér, Soulpepper Theatre Company, Toronto type of document: Further/Creation language: English
2005
manual entry, 2009. III. 18.
Georges Feydeau: Bolha a fülbe, The Repertory Theatre, Milwaukee type of document: Further/Creation language: English
2005
manual entry, 2009. III. 18.
Henrik Ibsen: Vadkacsa, Soulpepper Theatre Company, Toronto type of document: Further/Creation language: English
2005
manual entry, 2009. III. 18.
Henrik Ibsen: Nóra (A Doll's House), The Abbey Theatre, Dublin type of document: Further/Creation language: English
2003
manual entry, 2009. III. 19.
Henrik Ibsen: Vadkacsa, The Peacock Theatre, Dublin type of document: Further/Creation language: English
Cumulative impact factor of the 10 most significant publications:
0
Number of independent citations to these publications:
0
Scientometric data
list of publications and citations
number of scientific publications that meet accreditation criteria:
0
number of scientific publications:
0
monographs and professional books:
0
no. of monographs/books in which chapters/sections were contributed:
0
cumulative impact factor:
0.000
number of independent citations to scientific publications:
0
further relevant information regarding accreditation (in Hungarian)
Színészképzés, a színész munkájának elemzése, elméletben és gyakorlatban. Helyzetelemzések: a színészileg megformált egyszerű helyzetgyakorlatokon át, improvizációk, helyzetlemzés alapján, szerepelemzés, jellemelemzés, a jellem és a színész egyéniségének különbsége és egysége, stb. (to be translated)